In ceramic arts, the term identifies unfired clay objects that have been shaped or molded. This material state is characterized by its fragility, resulting from the absence of high-temperature firing. Examples include sculptured pieces, pottery vessels, and tiles that have been formed but have not yet undergone the hardening process in a kiln.
The significance of this stage lies in its potential for correction and refinement. Artists can readily make adjustments to the form and surface texture before firing permanently sets the clay. Historically, this workability has allowed for intricate designs and detailed surface treatments. Furthermore, recycling unfired clay back into usable material helps minimize waste.
